November 5th, Faculty of Theology and Religious Studies, Courtroom, 16.00-18.00
This event is organised in collaboration with the Centre for Religion and Heritage and the Research School for Medieval Studies. For the former, it is the annual event on Religion and Heritage. Before the event, a master class will be organized for graduate students.
Theorists of media often refer to ‘participatory culture’, an online creativity facilitated by the rapid expansion and adoption of communication technologies, as a symptom of a broader phenomenon of networked democracy. They often argue that these technologies have brought about a ‘third wave’, a technological democracy or a Web 2.0 revolution in which users are no longer passive absorbers of content, but active creators of meaning. Such a revolution is often implicitly understood as a modern, digital forum, or a democratic enaction of Habermas’ ‘public sphere’, levelling the playing field for all, even if it is neither as open, nor as inclusive, as has been argued.
For the purposes of medievalism, however, such an ‘always-on’ culture poses important new questions about who gets to own, control, and write medieval history. As I have argued elsewhere, the challenge to authority in the writing of history has important ramifications for identity politics. This lecture will thus challenge both the rhetoric of convergence and the effect of such imbalances on the communication of medieval ideas, thoughts, beliefs and ideologies.
Andrew B.R. Elliott is Senior Lecturer in Media and Cultural Studies at the University of Lincoln, where he works on the representation of history in film, television and video games. Author of Remaking the Middle Ages (on medieval film), and editor of The Return of the Epic Film and Playing with the Past (on the 21st-century epic and historically-themed video games, respectively), he has published on a number of aspects relating to historical film, television and video games, from the classical world to the Middle Ages. His recent research focuses on medievalism in online culture, political discourse and films from Tarkovsky to Tavernier. His most recent book is Medievalism, Politics and Mass Media: Appropriating the Middle Ages in the Twenty-First Century (Boydell and Brewer, 2017).