Monday, February 2nd, 16:00, Faculty of Theology, Oude Boteringestraat 38, room 130
In recent years attention has been paid to the church space as a stage for the performing of (para)-liturgical acts of a more or less theatrical character (Hans-Joachim Krause, Johannes Tripps). Though it might appear from these publications that such performances were first and foremost popular in the German speaking world, new evidence has come to light which indicates that the use was equally wide-spread in the Netherlands, and moreover at a relatively early point in time. My paper will pay particular attention to two rather spectacular examples: the para-liturgical performances around Easter and Pentecost in Utrecht Cathedral from the early thirteenth to the late fifteenth centuries (including a farting devil preceding live doves and burning torches as the re-enactment of the outpouring of the Holy Ghost) and the performance on Ascension Day in the collegiate church of St Lebuinus in Deventer around 1500.
Dr Kees van der Ploeg works on the history of architecture for the faculty of arts of the University of Groningen. His research focuses on the history of the restoration and preservation of monuments.